The Educator Perspective

Video games are not widely used to develop graduate skills, but they are utilised by some educators to support the teaching of subject material. Using games in such a manner does not preclude skills development, however, and those educators who leverage games to develop students’ disciplinary knowledge understand this potential, as the examples in the following excerpt from Chapter 6 illustrate.

The practice of game-based learning

Steve Connelly is a Senior Lecturer at the University of Sheffield in the UK. Connelly delivers a module entitled ‘Sustainable Development: A Critical Perspective’ to an increasingly international cohort of students. Remarking that he has “never been one for standing up in front of the class and lecturing for two hours”, Connelly describes how his approach to teaching the module incorporated short lectures augmented by student exercises and discussion, with students presenting material based on, for example, their home town. However, despite this enlightened approach to delivering the module, Connelly began to observe a fall in student participation. Furthermore, students were struggling to understand sustainable development as “a political and very contested idea” with complicated underlying policy processes. And so, drawing on his knowledge of problem-based and experiential learning, Connelly decided to try something different:

I took the crazy idea of seeing whether getting people to do something that was supposed to be sustainable, in real time in the class, would actually be a better way of doing these things. The idea of using Cities: Skylines was born, which to me was insane, because I don’t do computer games.

Acknowledging this dearth of gaming experience, Connelly approached learning technologist Bryony Olney for support. Now Higher Education Training Consultant for Pearson Education, Olney immediately thought of the SimCity series (Maxis 1989-), which might offer opportunities to examine sustainability as applied in a city context. However, after some investigation, it emerged that Cities: Skylines (Colossal Order 2015) had been used by urban planners in the US for consultation exercises and planning competitions. So, as Olney puts it, “if it was favoured amongst the urban planning and design fraternity, I thought that was probably quite a good place to start”. With no previous experience of playing Cities: Skylines, the learning technologist was forced to spend many long hours with the game: “a hardship, as you can imagine”. Olney’s goal was to determine if Cities could be used to illustrate the model underpinning Connelly’s module: the ‘Connelly Triangle’, which considers sustainability in terms of economic, environmental, and social concerns (Connelly 2007). And, while certain social factors were absent – the game lacks any representation of religion or ethnicity, for example – the financial and environmental aspects of the Connelly Triangle were better served by the game’s mechanics. Olney and Connelly remained concerned, however, about “what black box coding, what assumptions the game had made”; for example, the assumption that renewable energy sources, while ecologically clean, are always very expensive. A great many more such assumptions are built into the game’s logic, and often not made explicit to the player. Furthermore, aside from the absence of religion and ethnicity, the game necessarily eschews numerous other factors and processes that influence the planning and sustainability of a city, such as gentrification.

Steve Connelly at the University of Sheffield uses Cities: Skylines to teach his ‘Sustainable Development: A Critical Perspective’ module. Source:

However, the limitations of the game as a system – echoing Kurt Squire’s early experiences with Civilization III (Firaxis Games 2001) – became a focus of the learning. Instead of accepting the version of the world that Cities: Skylines presented, the students were encouraged to critically reflect on and discuss how the game differed from reality. Olney summarises the role of the game as follows:

So, really, the use of the game was a lever, it wasn’t the be all and end all, it wasn’t the thing that everything hinged on, it was kind of a pivot point for them to reflect on some of the theoretical concepts that they were exploring in the sessions.

What is interesting to note here is that while Cities: Skylines enhanced the students’ understanding of subject-specific material, the game also allowed them to exercise their critical thinking and reflective learning. This was exactly what Connelly had hoped to achieve: in addition to the “substantive content” he also intended that students developed “the political and the critical understanding of how contested the concept was”.

While Connelly and Olney found Cities: Skylines better suited to their needs, the venerable SimCity continues to enjoy widespread use in education. Vanessa Haddad, Assistant Professor and chair of Liberal Arts, General Studies at the State University of New York (SUNY) Erie in New York, US, has used the game to teach an introductory sociology course, for example. While her experience was marred somewhat by technical challenges – discussed below – Haddad describes the exercise as “semi-successful”. With the aim of helping students understand how factors including law, healthcare, economics, and politics intersect in relation to sociological theory, Haddad observed that students did gain something from playing the game:

Students were able to make connections between very basic functional perspectives – conflict theory, that kind of thing – and seeing what the interplay between social structure looked like in a stimulated environment. And then they had to make decisions about those things. So, it was a good starting exercise.

Heinrich Söbke, of Bauhaus-Universität Weimar in Germany, uses SimCity 4 (Maxis 2003) in delivering a technical infrastructure management course. Just as Haddad’s goal was to illuminate the intersections between myriad factors, the aim here is to help students understand the many interdependencies in a complex system. Using the game, Söbke can demonstrate that controlling technical infrastructure systems “requires the observation of the effects of these interdependencies and immediate reaction to system changes”. Students play the game in groups, with each group’s screen projected on to the wall, allowing everyone in the room to monitor everyone else’s progress. Söbke runs three supervised sessions: an introductory play session, intended to familiarise students with the game; a session based on a given scenario, where the city zones are already laid out; and, a free play session where students must develop their own scenario from scratch, according to a given specification and assessment scheme. At the end of this session, students are debriefed, and the game status assessed. Söbke is satisfied that the students come away with an understanding of infrastructure planning and the need to “react immediately to an imbalanced development”.

Söbke highlights the time pressure under which the students must operate – simulating real-world conditions – while emphasising that teamwork is essential to achieving a positive outcome. One member of the group might deal with the moment-to-moment micromanagement of the city, while another identifies the measures required to keep the system in balance, while still another monitors and reports back on the other groups’ progress. Thus, playing the ostensibly single-player SimCity in this configuration exercises collaborative and communicative skills in addition to the critical thinking and reflection that playing the game normally demands.

Aside from SimCity, Vanessa Haddad uses a number of indie games in her teaching, including Two Interviewees (Mauro Vanetti 2016) and Every Day the Same Dream (Paolo Pedercini 2009). Two Interviewees is intended to expose the often-hidden gender bias that is embedded in the recruitment process, as Haddad explains:

It shows gender bias in interviewing a male and a female character. You have to make the same decisions for both of them and it shows through empirical research what the outcomes of those decisions would be for both the male and the female character. It’s a really great discussion point for students, for showing what they might be up against in the future and of thinking about how they present themselves in the marketplace.

Haddad has used the game to teach rhetoric, for example, in relation to existentialism. As part of her sociology class, she also uses Two Interviewees to help students develop an “empathetic understanding” of concepts such as labour alienation. She believes that in higher education, much of our time is spent talking about terms and concepts, as presented in books, and that students want something more:

Often, I have found students are looking for more of a connection beyond just what’s in our books and what we are trying to present in a lecture. So, I bridge the gap with that game into an emotional understanding of something that’s very Marxist but also a reality that students might themselves face, should they not make decisions that are in line with who they are and their identity.

Every Day the Same Dream -
Vanessa Haddad’s use of Every Day the Same Dream is documented in 100 Games
to Use in the Classroom & Beyond
(2019), edited by Karen Schrier. Source:

Sherry Jones is a subject matter expert and instructor at Rocky Mountain College of Art and Design, Colorado, US, who has utilised everything from MOOCs to escape rooms in her teaching and has made extensive use of games. Back in 2013, Jones obtained a grant to develop and deliver a MOOC that taught rhetoric and composition. What was different about her approach was that, while there was a supplementary textbook for the course, it was not required reading. Instead, Jones suggested over 50 games from which students should choose to play in order to learn about rhetoric and composition. Each week, students were asked a series of questions about their selected game, related to how the rhetoric of the game was expressed. The approach builds upon Ian Bogost’s work on the procedural rhetoric of games (Bogost 2010):

We put [Bogost’s procedural rhetoric] into action but we made it full-scale, so we said, ‘if you examine what this game is doing, considering what the narrative is doing and concerning the specific mechanics that are implemented, what kind of political message is this game expressing, what kind of social message is this game expressing?’

Jones now uses games to teach moral philosophy and cites Fallout Shelter (Bethesda Game Studios 2015) as an example of one of the many games she incorporates into her classes. Inspired by the McCarthyism of 1950s US politics, and the anti-Communist paranoia that fuelled fears of nuclear Armageddon, Fallout Shelter provided Jones’ students with an opportunity to study the theory of egoism, which suggests any action is morally justified if it serves self-interest. In the world presented by the Fallout series, egoism – and its capitalist and corporatist manifestations – has apparently led to the destruction of civilization and, yet, still governs the actions of the surviving few.

Sherry Jones uses Fallout Shelter in her Moral Philosophy classes. Source:

Over time, Jones’ approach has evolved from treating games as texts to be studied, to using them as a form of assessment. As Jones remarks, “no teacher should think, yes, I’ll just give a game to a student and they’ll just learn something. Well, they play games on their own, they don’t learn anything”. Instead, Jones teaches her students the relevant theory in a more conventional manner, through lectures, readings, and discussion, then asks the students to play a particular game without any specific direction. The students make notes and take screenshots as they play, assembling a corpus of data about the game. Then, Jones asks the students to identify which of the taught theories is manifested in the game, using the materials they have gathered to produce a report that demonstrates how, for example, the game illustrated a specific virtue. Jones elaborates:

So, we do very deep analysis of the game, but the point of this exercise is that the students were already taught theory before they were getting to play the game. I never tell the students, ‘hey this is a theory you’re supposed to get from the game’. I just tell them, you need to play the game, with a scholarly mind.

Nudging her students towards the upper reaches of Bloom’s taxonomy, Jones finally asks them to redesign their game so that it either represents an alternative philosophical position, or reinforces the philosophy already present in the game by incorporating additional elements. Such elements might include a new narrative, additional characters, or modified game mechanics.

This post originally appeared on Stanford University’s Tomorrow’s Professor.

Barr, M. (2019). The Educator Perspective. Graduate Skills and Game-Based Learning, 157–180. doi: 10.1007/978-3-030-27786-4_6

SimCity (2013) Review

Will Wright’s original SimCity (1989) and its isometric sequel, SimCity 2000 (1994), are perhaps the games that first made me consider the educational possibilities of my favourite pastime. The original SimCity I played somewhat vicariously over my Amiga-owning friend’s shoulder. SimCity 2000, however, I had all to myself and I played it for hours on end on our Mac at home. At school, my forward-thinking geography teacher also allowed me to install it on the department’s Mac. He could probably see the potential in it as a learning tool and certainly recognised that the game could engage the teenage me in a way that some of his colleagues could not. It was never going to find its way on to the curriculum, of course, but it was an exciting possibility for the future.

New Mattsville in 2013

New Mattsville in 2013

The 2013 version of SimCity marks the return of a series which has lain dormant since the release of SimCity 4 in 2003 (excluding spin-offs such as the Nintendo DS version, the less successful SimCity Societies and the myriad versions of the wildly popular The Sims franchise). At its core, SimCity is exactly what the name implies: a city simulator, wherein you assume the role of major, albeit with some unconventional leanings towards omnipotence not usually associated with City Hall. It’s a kind of civic sandbox, featuring all the toys with which a budding mayor might expect to be able to play. While this new iteration introduces a steady stream of mayoral objectives, the game has traditionally set few fixed goals. Instead, the player is free to craft their city as they see fit: adjusting taxes, investing in public services, building essential infrastructure such as roads, and so on. Perhaps the most important tool in your repertoire is that which allows you to designate areas of your city as residential, commercial or industrial zones, determining what your citizens – known as Sims – can build there.

Tinkering with your city and watching it grow is strangely addictive stuff. Like its predecessors, SimCity offers feedback to the player in countless forms, from the often quite beautiful picture the game paints of your living, breathing city, to the multitude of tables, reports and graphs you can pull up on your city’s finances, crime levels, educational performance and other social statistics. All of these feedback mechanisms, coupled with the ability to play the game at your own pace – both in the literal sense (you can slow and speed up time) and in the sense that there’s no real need to gallop ahead and build a sprawling metropolis if you’d rather cultivate a bustling hamlet – encourage the player to set their own personal goals. Because there’s nobody telling you what to do or when to do it as in, say, a school classroom, the motivation to meet these goals is entirely intrinsic.

Downtown Mattsville

Downtown Mattsville

This new SimCity, however, makes one significant departure for the series: it is designed to be played online as a multiplayer experience. This is important for a number of reasons. First, of course, it introduces the prospect of a rather more extrinsic form of motivation: competition. Second, because the game insists on connecting to servers operated by the game’s publisher, EA, every time you play – even if you have no intention of interacting with other players – those servers have to be up-and-running. However, in the few days since the US launch of the game, and to a lesser extent in the hours since it was released in Europe, EA’s servers have not been up to the task. Thousands of disgruntled would-be mayors cannot play the game for which they just paid around £40, after a decade-long wait, simply because the servers are unable to cope with the volume of people attempting to log in. The publisher’s motivation for this arrangement (known as ‘digital rights management’, or DRM) is to protect against piracy. Their servers, as well as proving the ability to save your game to the ‘cloud’, and, apparently, crunching some of the complex numbers required by the city simulation, are also used to check your copy of the game is legitimate.

This debacle has overshadowed the launch of the game to such an extent that it is impossible to ignore in any review. The rights and wrongs of DRM are better covered elsewhere, but the situation raises some significant questions about the game’s suitability for use in a classroom. First, online connectivity requires EA’s Origin software to be installed and able to connect to the internet, introducing an additional hurdle for getting the game installed on a school, college or university network in the first place. Second, if the servers are down when you are scheduled to teach a SimCity-based class, that class isn’t going to happen. Of course, it’s likely that EA will have remedied the server situation by the time the game filters into classrooms but there is a larger question here: what happens when EA turns the servers off? As players of many of the same publisher’s sports titles will know, once those servers become unprofitable to run, or there’s a new version of the title they want to push, the server that facilitates online play is canned. So, whereas a school that invested in 30 copies of SimCity 4 a decade ago can still use that software, there’s every chance that the same will not apply to the new game in 2023.

This is something of a dilemma for educators considering SimCity as a potential learning tool. On the one hand, the game’s publishers are actively courting the educational market – apparently drawing inspiration from Valve’s seemingly more altruistic efforts with the physics-based Portal 2 game – via the website, which offers lesson plans and other resources to kick-start teaching around the game. On the other, how many schools or colleges can afford to invest in multiple copies of a game that may become unplayable at the publisher’s whim? One must also add to the equation the cost of purchasing suitable hardware – the new SimCity is beautifully realised, to be sure, but it requires modern technology to render all of that stunning detail in real time.

In the end, and bearing in mind it’s only been out a day or two, it’s fair to say that SimCity will almost certainly gobble up what little spare time I can muster, and I’ll quickly forget my objections to what I consider to be Draconian DRM measures. From a learning point-of-view, however, I’ve yet to see anything in the game that couldn’t be done to some degree in its considerably more affordable predecessor, if not the version I showed to my geography teacher nearly 20 years ago. Either of these is rather more likely to run on the average school’s computers, which in some cases might actually be 20 years old.

This review was written as part of my coursework for the excellent Introduction to digital game-based learning course, headed up by Dr Hamish Macleod.